After leaving the side gorge with its rock drawings we continued walking through Mt Chambers Gorge (Marlawadinha Inbiri) with its high orange coloured limestone walls and big river gums during the afternoon of the 28th May. Ptilotus or mulla mulla with the purple, pink, silver, and yellow candlestick flowers were growing profusely in the creek bed that wound its way through the Wearing Range.
This is Hans Heysen country. It is arid, though not barren or bleak, and it has its own colours and textures. Associated with this visual tradition is a cultural formation about the Australian pastoral landscape representing a pastoral Acardia connected to Australian national identity, with its construct of Australia as a white Anglo-Saxon culture.
This cultural formation in a settler colonial society about a wilderness to be tamed into an Arcadia became a vehicle of national self-definition’ as well as a template for the construction of an idyllic settler colonial pastoral way of life highlights how the concept of the landscape as cultural construct is bound up with our national myths and visions.
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